Bringing overlooked stories to life: Animated Collage
In 2025, the Black Chiswick through History project continued to explore the life of James Cumberlidge, one of the few people of African heritage in Britain to have their faces captured in paint and preserved for posterity.
In collaboration with the West London Ghanaian Association, historian Nadege Forde-Vidal, and artist Ayesha Weekes we have explored the archives that reveal James’s meteoric rise from pageboy at Chiswick House to trumpeter in the Royal Court of King George III.
Music credits: Wogbe by Amandzeba Nat Brew; Zadok the Priest composed by George Frideric Handel; Water no get enemy by Fela Ransome Kuti; Mfante Asafo Dance
This animated collage shows that James was not alone by bringing together portraits of people of African descent, several of whom were connected to James through the court, the arts, and the grounds of Chiswick House.
Together, they reveal threads in the often-overlooked tapestry of African presence and influence in Britain’s history. Scroll through our slideshow below to discover more about how these lives connect with James Cumberlidge and the history of Chiswick House.

Queen Charlotte
James Cumberlidge was a member of the Royal Court for over 20 years. His interactions with Queen Charlotte would have been frequent. The debate continues as to her potential African heritage based mainly upon her appearance in some portraits.

Francis Barber
Francis Barber entered Dr Samuel Johnson's household aged 10, and remained as his companion, assistant and carer for 20 years. James Cumberlidge probably knew Johnson and Barber through their mutual friend David Garrick.

Dido Belle
Dido Belle, the German artist Zoffany, and the royal trumpeter James Cumberlidge are all connected through an intricate network of mutual friends and shared spaces.

Mohammed Bin Hadou
The Moroccan Ambassador arrived in England in 1682 and stayed for over a year. He was "the fashion of the season…a handsome person, well featured and of a wise look, subtle and extremely civil" and struck a magnificent figure riding through Hyde Park with his entourage, captured in a portrait by Kneller in the Upper Tribune at Chiswick House.

Detail of Young man in ‘Captain Lord George Graham in his Cabin’ by Hogarth c1745
The men and women of colour in William Hogarth's paintings and engravings give a sense of Black visibility in 18th-century London. Another friend of Garrick, Hogarth moved next door to the Chiswick House estate whilst James Cumberlidge was still in his late teens - it seems highly probable that they interacted at some level.

Head of a Young Black Boy & Girl (1)
These realistic portraits suggest a number of children of colour in the locality in the early 17th century....

Head of a Young Black Boy & Girl (2)
The artist, Wenceslaus Hollar, lived in London with the Earl of Arundel, who held several government roles involved in the slave trade in the early 1600s. The Roman statues at Chiswick House were once part of the Earl’s collection.

Caesar Shaw
Caesar Shaw was a servant in the Spencer household in the 1700s. Employed by the father and grandfather of Georgiana Cavendish (the Duchess of Devonshire). He lived on the Althorpe estate in Nottinghamshire and was baptised in Northampton.

Joseph Casar
This sketch by William Kent c1730 shows a young man of colour, probably Joseph Casar, moving orange trees around the gardens at Chiswick. We still do not know exactly where Joseph went when he left Chiswick, but Lady Burlington did suggest sending him to Londesborough Hall, Yorkshire in a letter to her husband written in 1729.

Alessandro de’ Medici
The very first Duke of Florence, was of mixed Italian and African heritage. He is the first known African ruler of a European court. The Medici family were patrons to artists like Leonardo da Vinci, Michelangelo & Raphael.
You can see a copy of the ‘Medici Vase’ here in the Italian Gardens.

Ottobah Cugoano
Born in modern-day Ghana and sold into slavery aged 13, Ottobah was taken to Grenada, West Indies. Brought to England by a merchant, Cugoano educated and freed himself. He wrote his autobiography in 1787 and co-founded the Black abolitionist group - Sons of Africa - the same year.

Phillis Wheatley
Wheatley is the first known African-American woman to have her work published (though she had to come to Hammersmith to find a publisher).
Her poems were inspired by the work of Alexander Pope, close friend of the Burlingtons and a regular visitor to Chiswick House. You can see his portrait in the bedchamber.

Ignatius Sancho
Sancho worked for Lady Mary Churchill, Duchess of Montagu, and received a pension in her will. He was a property-owner, which meant he could vote. A right he exercised in 1774 and 1780, becoming the second known British African to have done so, after John London. Georgiana Cavendish mentioned him, shortly after his death, in a letter to her mother that suggested Sancho was perceived as a man of impeccable moral character by London Society.













